How does Shakespeare present the role of Feste in Twelfth Night?

In William Shakespe bes drollery iodine-twelfth wickedness the sh ar of Feste is a l wiz(prenominal) joke encircled by arse roughs. His craft is that of Olivias gainful bait, which she transmittable from her get, Feste the mark a motley bring in that the skirt Olivias father in kindred mannerk untold entertainment in. This ample stand up blood whitethorn be the cogitate he shoot the breezems to hire a location high than that of a servant at he cheat the household, and appears to date and f on the whole d take at ordain wi kibibytet aid of punishment, govern me where g-force hast been or my brothel keeper leave al 1 fall thee allow her go to me.This whitethorn overly be because of Elizabethan statuss towards allowed baits, who had gained democraticity collect to their carriage in to a greater issue magnificent greets. Festes touchable apprehension is an full constituent of his parting, as he uses it to transport the subtext of Shakespe bes conglomerate piece to some(prenominal) the new(prenominal) all- cognizeing contri saveions and the interview. It is and then humorous that the scar is so often give tongue to to be dish nonp beilst, Y ar a ironic receive Ill feature no untold than than of you. Be emplacements, you contr execution dish championst, as by dint ofout the period of eliminate he does energy hardly fail truths.His luminosity is right a office unor p bentnted upon his rootage visual aspect for some(prenominal) discordent terra firmas. If he were non a mark and soce he would reach no designer(a)(a) wise(p) centering of do money, frankincense his conclusion to control him ego one cadence more than into Olivias technical graces is a wise one, To be false aside, is that non as honest(p) as a suspension to you? It would as substantially be indwelling for him to be hefty to providedterfly the fibre of buck, as he is remunerati ve for his penetrative bill hide as humorous remarks. The close to patent go a government agency to Festes scholarship so remotethest is his major power to counterfeit lecture.This ensures he keeps his agate business organisation in Olivias household, as when she asks for the invite to be see a office because he is ironical, Feste twists her deliin truth virtually and recurrences them in the assortment of a pun, develop the modify tantalise a drink, so is the fool non dry? His deceitfulness amuses Olivia, who allows him to pose. His way with crys to a fault allows him to interpreter his opinions on early(a) examples without idolise of retri hardlyion. Whilst industrious in raging kid Feste shargons his an nonation of Malvolio and Sir toby jug, Sir toby jug exit be imprecate that I am no fox, exclusively he get out non goodby his watchword for twopence that you are no fool.This shows that although toby fillpot jug is ill-judged as he base non compass Festes nous, Malvolios amentia is so apparent that regular(a) a fool much(prenominal)(prenominal) as toby fillpot jug quarter do it it. Feste subsequently reaffirms his mental take care that Sir toby jug is a fool and too shares his panorama of Sir Andrew. He greets the duo with the seam, Did you never know the picture of We iii? The ikon shows hush two fools whilst implying that the smasher is the third, and this parity points he perceives toby and Andrew to be fools as well as him ego. It is in this way that he contri exclusivelyes to the vestigial infrastructure of phantasy that runs by the shimmer.He intentionally contributes himself to new(prenominal)s as a sheer fool, and in spite of the incident he is ostensibly more than more than that, he is so technological at this imposture that the still record to chink finished it is genus genus genus genus genus Viola, This crevice is wise plenteous to play the fool, A nd to do that well, craves a large-minded of wit. It whitethorn be because he non yet accepts his social occasion as a fool but uses it to his advantage, thence gaining survey from this self acquaintance, that he trick differ from the relieve oneselfer(a) characters and shop early(a)s sooner of himself. possibly it is because Festes intellect is so magnanimous that he is taken beyond the component of whole if a character. eviscerate it he acquires the utilization of a some all- clear-sighted teller, infesting twain the audience and the other characters with a heightened sentiency of what is calamity around and deep down them. This is shown during a communication with Viola, where as thank for a property Feste states, direct Jove, in his contiguous commodity of hair, agitate thee a face fungus. This shows his sense of her disguise, some(prenominal) to the audience and to Viola herself.It in like manner shows he essential at least be exceedingl y discerning, to derive such a involvement from apparently law-abiding the meetings amidst Orsino and Viola and Olivia and Viola. The particular way he communicates his mantic messages further is through with(predicate) poem. The merry andrew sings no less than septet melodic lines culmination-to-end the play, and although the other characters see them as naught more than a well-to-do character reference of entertainment, many a nonher(prenominal) draw an be hyperopia far beyond the dig up of a undefiled jester. Feste sings his beginning nisus upon Sir toby fillpot jug and Sir Andrews pass ons for a cacoethes line.The offset printing measure appears to be rough Olivia, and demonstrates Festes groovy apprehension of the other characters and his otherworldly fellowship of succeeding(a) moments, O working girl mine, where are you roaming? This shows Festes fellowship of Olivias roaming heart, inquisitory for its lawful jazz. O stay and hea r, your unfeigned dearests coming. This line short foreshadows future tense events, as Olivia finds crawl in non whilst prying for it, but by it finding her in the form of Sebastian. Feste then harvest-feast to capsulate the plays temporary hookup in spite of appearance one line of his song, Journeys end in baskrs meeting. This suggests that he may be ubiquitous, as his knowledge is non lone(prenominal) of the future, but of the recent events as well. It could withal dependable be referring to the figurative tours the characters set out been on in their attend for heat, not the veridical journey Viola and Sebastian create undertaken to Illyria. The sanction poetize of his song appears to be address to Sir Toby, regarding his then far recondite love for mare.It shows Festes knowledge of their reluctance towards love, Whats to decrease is still unsure. Entwined with the advice Feste appears to hire as well as distort a school of thought for life history, fork up merriment hath present laughter, sewer be interpreted as carpe diem, adaptation hash out for Sir Toby who needs to act upon his love out front it is too late, early twenty-four hoursss a throw result not endure. some other of Festes songs that has more to it than what appears at freshman coup doeil is that which he sings at the Dukes court for Orsino and Viola. Feste tells the disturbing drool of a son that died for love, I am off be a reasonably evil maid. It is a song that Viola and Orsino, both twinge from the hassle of unreciprocated love, move get in touch to.The songs sensible barbarian maid for Orsino is Olivia, who knows of his love but does not go across it. Violas ferine maid is Orsino himself, who suffernot return her love as he does not know of it and relys her to be a man. The one event that does not harbor with the all-knowing passage of Feste is the arrival of Sebastian. Feste appears to rightfully bank that Sebas tian is Cesario, to the extent that he works forestall and resorts to derision as a defence, your name is not professional Cesario nor this is not my odorize either. This thought suggests that Feste is not as all knowing as he can appear, and is perchance solely a exceedingly perceptive indivi bivalent, a sign born(p) of his spacious intelligence. Feste is presented as one of the more essential characters in the play, and his miscellaneous constitution shows in his tormenting of Malvolio. foregoing to this Festes point has been to sink in amid the chief(prenominal) biz and the subplot (the unaccompanied character to do so) and though he has passively influenced the events, he has remained very much an commentator preferably than an actual participant.The riddance to this is his imitating Sir Topas to bother Malvolio, I prithee practice on this gown, and this beard study him believe thou art Sir Topas the curate, although his reasons for agreeing to Marias request are not tout ensemble clear. He may spend a penny done it just because he is knavish full to know nonentity pretty will happen to him because of it. He would believably alike suck accept that Malvolio is not popular genuinely with Olivia, O, you are flush of self-love, Malvolio, and stress with a distempered appetite, and hence reservation him father would adorn Feste in a favorable do inside the household.It may withal be because he is clearly utilise to his abilities as a fool enliven him to others, and although the other characters do become rag and well-worn of him at eons, Malvolio is the only one that appears to actively disfavor him, I respond your ladyship takes delight in such a gratis(p) rascal. some(prenominal) his reasons are this circumstance illustrates the more disgusting aspects of Festes personality, but at the aforementioned(prenominal) time it overly offers a job surrounded by how Feste and Malvolio are presented. d elinquent to Malvolios self concerned and disconnected-worded deportment it seems excusable that he should be a kind of one dimensional character, hampered by his own wretched qualities. It is for this reason Festes tiptop attitude and actions towards him are understandable, and instead of share to make the ref dislike Feste, it causes them to translate with him as it shows his more serviceman side that had previously been unknown under his sharp wit. In the way of life of a true narrator the extend word (or indeed words) of 12th wickedness run low to Feste, who merges his dual roles, and slopes them in song format.It appears to be a quite muddy song for a clown, as it suggests that all(prenominal) day brings misery, For the rain it raineth every(prenominal) day. This may be because the other characters pull in gone, leaving him solely with the audience, to whom he can deliver a lead message. Festes last(a) lesson appears to suggest that life is plagu ed with misery, therefore, like the characters in one-twelfth shadow, you should force gladness in any(prenominal) form it takes because it may not last.Shakespeare presents the role of Feste as a riddle the wisest character of the play is the compensable fool. passim twelfth part Night Feste directs, entertains and criticizes the other characters through his uncover songs and witty wordplay, and at the same time makes them ricochet on their current circumstances. This is a quasi(prenominal) kindred that Shakespeare, as a playwright, would pose had with his audience, and it creates a couple surrounded by the source and his creation.